Friday, 27 March 2015

Radhika Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati

Radhika Malayalam Actress Biography

Source:- Google.com.pk

Radhika is a Malayalam film actress. She made her debut in a small role in Rajasenan's movie Darling Darling. She became popular by the character Razia in director Lal Jose's blockbuster movie Classmates.She has acted in many albums and advertisements also

Vietnam Colony is a 1992 Indian Malayalam film, written and directed by Siddique-Lal. With Mohanlal, Innocent, Kanaka and K. P. A. C. Lalitha appearing in lead roles, the film achieved considerable success following its theatrical release. A Tamil remake of the film, starring Prabhu was released in 1994 under the same title Vietnam Colony.

Contents  [hide]
1 Plot
2 Cast
3 Awards
4 Production
5 Sound Track
6 Trivia
7 References
8 External links
Plot[edit]
G. Krishnamoorthy (Mohanlal), hailing from an orthodox Tamil Brahmin community, gets a job with Calcutta Constructions as a supervisor. Calcutta Company has been working to restructure their land by vacating an illegal colony lying adjacent to its premise. Popularly known as Vietnam Colony, it is inhabited mainly by day laborers. The company has been in efforts to demolish the colony for long time, but failed to do so. The colony is now under the rule a few hardcore criminals to whom the residents have to pay specific amount every week. Now, Krishnamoorthy is appointed by company to evacuate the colony, by dealing with these criminals. He is assisted by K.K Joseph (Innocent). Both arrive at the colony under the disguise of professional writers planning to write a story on the life of the colony residents. Upon arrival, both enter the house of Pattalam Madhavi Amma (K. P. A. C. Lalitha) in search of a house, but she mistakes them to have come to see her daughter Unnimol(Kanaka) and calls Unni to bring tea and snacks. But after knowing about the goof happened, she lets them stay on the top floor of her house. Upon the advice of Erumely (Kuthiravattam Pappu), the broker, Madhavi Amma believes that with time, her daughter might fall in love with Krishnamoorthy and might get married to this educated Brahmin man. In the coming days, Krishnamoorthy befriends various members of the colony and tries to read out their idea about vacating the colony. But he realizes that it is not an easy task to evacuate the people and thinks about different plans to be operated. From Madhavi Amma, Krishnamoorthy comes to know that the entire colony was owned by Moosa Sait (Nedumudi Venu), a millionaire, who even gave up his mom for money. Suhra Bai (Philomina), his mother is now living a pathetic life inside the colony. Krishnamoorthy meets up with Paravoor Rauthar (Rajkumar), Irumbu John (Bheeman Raghu) and Kannappa Srank, the criminal leaders who are now controlling the colony. One night, Rauthar kicks Surabai in a fit of rage and she is killed. To get her final rituals done, Krishnamoorthy sets out in search of Moosa Sait, but is shocked to find Advocate Thomas (Devan), the legal adviser of his company in Sait's Bungalow. More shocked he was, when saw Moosa Sait, now living on streets like a beggar. Moosa Sait tells Krishnamoorthy that he was duped by Thomas, who by crook owned up his whole property including his house. Krishnamoorthy brings in Sait to the colony and make him do the last rites of his mother. In the meantime Unni, falls in lov with Krishnamoorthy. He slowly realizes the fact that the company is illegally trying to own up the land, while the justice is on the side of colony residents. He decides to support the people in their fight for justice. But Company join hands with the criminal leaders to finish off Krishnamoorthy. He is attacked by the criminal gang, but Krishnamoorthy succeeds in finishing them off and bringing justice to the people.

Cast[edit]
Mohanlal as G. Krishnamurthy
Innocent as K. K. Joseph
Kanaka as Unnimol
Devan as Adv. Thomas
Jagannatha Varma as Company MD
K. P. A. C. Lalitha as Pattalam Madhavi Amma
Nedumudi Venu as Moosa Settu
Kuthiravattam Pappu as Erumeli
Vijayaraghavan as Vattappalli
Bheeman Raghu as Irumpu John
Philomina as Suhra Bai
Kaviyoor Ponnamma as Parvathiyammal
T. P. Madhavan as Krishnamurthy's uncle
Kunchan as Pattabhi Raman
Sankaradi as Insane Man
Raj Kumar as Ravuthar
Awards[edit]
Kerala State Film Award for Best Art Director - Mani Suchitra

Production[edit]
Vietnam Colony was produced and distributed by Appachan for the banner of Swargachitra.

Sound Track[edit]
The films soundtrack contains 6 songs, all composed by S. Balakrishnan and Lyrics by Bichu Thirumala.

# Title Singer(s)
1 "Lallalam Chollunna" Dr. K. J. Yesudas
2 "Paathiravayi Neram" Minmini
3 "Pavanarachezhuthunnu" Dr. K. J. Yesudas
4 "Pavanarachezhuthunnu" Sujatha Mohan
5 "Thala Melam" M. G. Sreekumar, Minmini
6 "Sooryodayam" Dr. K. J. Yesudas
Trivia[edit]
The film ran for 200 days in Kerala and was the third biggest hit of the year.[citation needed]
The film was also remade in Tamil with Prabhu in the lead role.
References[edit]
External links[edit]


Radhika Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Radhika Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Radhika Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Radhika Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Radhika Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Radhika Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati

Radhika Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Radhika Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Radhika Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Radhika Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati




Kalpana Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati

kalpana Malayalam Actress, Biography



Source:- Google.com.pk

Kalpana Ranjani, mononymously known as Kalpana, is an Indian actress known for her comic roles in South Indian film industries and more particularly in Malayalam cinema. At the 60th National Film Awards, she won the Best Supporting Actress award for her performance in Thanichalla Njan (2012).[1] Kalpana is the sister of film actresses Urvashi and Kalaranjini. Kalpana Ranjani, better known by her stage name Kalpana, entered the film industry wanting to work as a heroine. However, she ended up doing comedy. Kalpana has strayed into reality shows and says she thoroughly enjoys them. She recently performed a music album with Usha Uthup.[2] She has published her memoirs, Njan Kalpana.[3]

Contents  [hide]
1 Career
2 Personal life
3 Awards
4 Partial filmography
5 Television
6 References
7 External links
Career[edit]
After making her debut in the 1983 film Manju directed by M. T. Vasudevan Nair, Kalpana went on to star in several critically acclaimed films and her portrayals as a comedienne were appreciated by critics. Her Tamil debut was through the 1985 released successful film Chinna Veedu opposite K. Bhagyaraj. Her other memorable films include Sathi Leelavathi (1995) and Kaliveedu (1996).[4]

Personal life[edit]
Kalpana is born to Theater artists Chavara V.P.Nair and Vijayalakshmi. Her elder sister is actress Kalaranjini and younger sister is actress Urvashi. Her two brothers, Late Kamal Roy and Late Prince had also acted in few Malayalam movies. Her two brothers Kamal Roy and Prince who were died in their young age of 17 and 27.

She is married to Malayalam film director Anil Kumar and is divorced in 2012. Their only daughter Sreemayi is staying with Kalpana.[5]

Awards[edit]
National Film Award for Best Supporting Actress – for the film Thanichala Njan



From Wikipedia, the free encyclopedia

Plato, the Greek philosopher, is universally known by a single name.
A mononymous person is an individual who is known and addressed by a mononym,[1][2] or "single name". In some cases, that name has been selected by the individual, who may have originally been given a polynym ("multiple name"). In other cases, it has been determined by the custom of the country[3] or by some interested segment. In the case of historical figures, it may be the only one of the individual's names that has survived and is still known today.

Contents  [hide]
1 History
1.1 Europe
1.2 The Americas
2 Post-medieval uses
2.1 France
2.2 Other European countries
2.3 North America
3 Royalty
4 In modern times
4.1 Countries where mononyms are normal
4.2 In Asia
4.3 In the West
5 Gallery
6 See also
7 Notes
8 References
9 External links
History[edit]
Europe[edit]
The structure of persons' names has varied across time and geography. In some communities, individuals have been mononymous; that is, each person has received only a single name. Alulim, first king of Sumer, is one of the earliest names known; Narmer, an ancient Egyptian pharaoh, is another. Later, Biblical names were typically mononymous, as were names in the surrounding cultures of the Fertile Crescent. Ancient Greek names also followed the pattern, with second names only used to avoid confusion, as in the case of Zeno the Stoic and Zeno of Elea.

A notable departure from this custom occurred among the Romans, who by the Republican period and throughout the Imperial period used multiple names: a male citizen's name comprised three parts, praenomen (given name), nomen (clan name) and cognomen (family line within the clan) — the nomen and cognomen being virtually always hereditary.[4] Post-antiquity most of them are, however, mononymous in most contexts: examples are Cicero (also known as Tully: Marcus Tullius Cicero), Pompey (Gnaeus Pompeius Magnus), Virgil (Publius Vergilius Maro), Nero (Nero Claudius Caesar Augustus Germanicus) or Juvenal (Decimus Iunius Iuvenalis).

In other cultures the following can be named: Euripides, Xenophon, Aristotle and, further afield, Boudica and Jugurtha.

During the early Middle Ages, mononymity slowly declined, with northern and eastern Europe keeping the tradition longer than the south; an example is Edeko, the East Germanic chieftain whose son ruled Italy as Flavius Odoacer. By the end of the period, however, surnames had become commonplace: Edmund Ironside, for example, ruled England, Brian Boru was High-king of Ireland, Kenneth MacAlpin had united Scotland, and even in Scandinavia surnames were taking hold. The Dutch Renaissance scholar and theologian Erasmus is a late example of mononymity; though sometimes referred to as "Desiderius Erasmus" or "Erasmus of Rotterdam", he was christened only as "Erasmus", after the martyr Erasmus of Formiae.

The Americas[edit]
Between Columbus' arrival in the New World and the late 19th century, most native Americans were mononymous. Examples include Agüeybaná (Puerto Rico, died 1510), Auoindaon (Canada, flourished 1623), Pocahontas (United States, 1595–1617), Guamá (Cuba, died 1532), Anacaona (Dominican Republic, 1464–1504), Moctezuma (Mexico, 1398–1469), Lempira (Honduras, died 1537), Diriangen (Nicaragua, fl. 1520), Urracá (Panama, died 1531), Tamanaco (Venezuela, died 1573), Atahualpa (Peru, 1497–1533), Cangapol (Argentina, fl. 1735), Lautaro (Chile, 1534–1557), and Tecumseh (United States, 1768–1813). Uniquely, the Dutch-Seneca diplomat Cornplanter was given both a Seneca language mononym (Kaintwakon, which roughly translates as "corn planter") from his mother and a given name and surname (John Abeel) from his father, and he used both throughout his life; however, his later descendants, such as Jesse Cornplanter, would instead use "Cornplanter" as the family name instead of "Abeel." In the 19th century, most chiefs involved in the Apache Wars had mononymous birth names, and some replaced those with mononymous nicknames: Geronimo (born Goyaałé), Victorio (born Beduiat), Cochise, and so on.

Post-medieval uses[edit]
Since the medieval period, mononyms in the west have almost exclusively been used to identify notable people who already had surnames. These nicknames were either adopted by the persons themselves or conferred by contemporaries.

France[edit]
Some French authors have shown a preference for mononyms. In the 17th century, the dramatist and actor Jean-Baptiste Poquelin (1622–73) took the mononym stage name "Molière".

In the 18th century, François-Marie Arouet took the mononym "Voltaire", for both literary and personal use, in 1718 after his imprisonment in Paris's Bastille, to mark a break with his past. The new name combined several features. It was an anagram for a Latinized version of his family surname, "Arouet, l[e] j[eune]"; it reversed the syllables of the name of a family château, "Airvault"; and it has implications of speed and daring through similarity with French expressions such as "voltige", "volte-face" and "volatile". "Arouet", on the other hand, would not serve the same purpose, given that name's associations with "roué" and with an expression that meant "for thrashing."[5]

The 19th-century French author Marie-Henri Beyle used many pen names, most famously the mononym "Stendhal", adapted from the name of the little Prussian town of Stendal, birthplace of the German art historian Johann Joachim Winckelmann, whom Stendhal greatly admired.[6]

In the 20th century, a fourth French writer, Sidonie-Gabrielle Colette (author of Gigi, 1945), used her actual surname as her mononymous pen name, "Colette".[7]

Some French actors and singers, have used their given name or surname as a stage mononym.

Other European countries[edit]
In the 17th and 18th centuries, most Italian castrato singers used mononyms as stage names (e.g. Caffarelli, Farinelli).

The German writer, mining engineer and philosopher, Georg Friedrich Philipp Freiherr von Hardenberg (1772–1801), became famous as Novalis.

The 19th-century Dutch writer Eduard Douwes Dekker (1820–87), better known by his mononymous pen name Multatuli (from the Latin multa tuli, "I have suffered [or borne] many things"), became famous for the satirical novel, Max Havelaar (1860), in which he denounced the abuses of colonialism in the Dutch East Indies (now Indonesia). In 2002 Multatuli was proclaimed by the Society for Dutch Literature to have been the most important Dutch writer of all time. The Dutch writer Jan Hendrik Frederik Grönloh (1882-1961) wrote under the pseudonym Nescio (Latin for "I don't know").

The 20th-century British author Hector Hugh Munro became known by his pen name, "Saki".

In 20th-century Poland, the theater-of-the-absurd playwright, novelist, painter, photographer and philosopher Stanisław Ignacy Witkiewicz after 1925 often used the mononymous pseudonym "Witkacy", a conflation of his surname (Witkiewicz) and middle name (Ignacy).[8]

In the Soviet Union, Lenin, Stalin and Trotsky are assumed names, for similar reasons. Vladimir Ilyich Ulyanov adopted the pen name Lenin while publishing anti-Tsarist propaganda in the 1910s, and was generally known as Lenin (or sometimes V.I. Lenin) after rising to power in the October Revolution. Ioseb Besarionis Dzhugashvili assumed the pen name Stalin, from the Russian word for "steel", and was also generally known by this name after the revolution. Similarly, Lev Davidovich Bronshtein assumed the name Leon Trotsky, which then became shortened over time to, simply, Trotsky.

A number of visual artists, such as Michelangelo, Titian, Tintoretto, Caravaggio and Rembrandt, are commonly known by mononyms. The modern Russian artist Erté formed his mononymous pseudonym from the initials of his actual name, as did the Belgian comics writers Hergé and Jijé.

Italian painter Bernardo Bellotto, who is now ranked as an important and original painter in his own right, traded on the mononymous pseudonym of his uncle and teacher, Antonio Canal (Canaletto), in those countries—Poland and Germany—where his famous uncle was not active, calling himself likewise "Canaletto." Bellotto remains commonly known as "Canaletto" in those countries to this day.[9]

Mononymity was represented in photography, from that art's infancy, by Nadar (Gaspard-Félix Tournachon).

North America[edit]
The American writer of non-fiction and fiction, Rodney William Whitaker (1931–2005), is best known for some novels that he wrote under the mononym pen name, "Trevanian". The Armenian-Canadian portrait photographer Yousuf Karsh was commonly known as "Karsh of Ottawa".

Royalty[edit]
Monarchs and other royalty, for example Napoleon, have traditionally availed themselves of the privilege of using a mononym, modified when necessary by an ordinal or descriptor (e.g. Queen Elizabeth II or Charles the Great). However, this is not always the case; thus, King Carl XVI Gustaf of Sweden has two names. While many European royals have formally sported long chains of names, in practice they have tended to use only one or two and not to use surnames.[10] In Japan, the emperor and his family have no surname, only a given name, such as Hirohito, which in practice is rarely used: out of respect and as a measure of politeness, Japanese prefer to say "the Emperor" or "the Crown Prince."[11] In India, the first six Mughal emperors were known by just one name, adopted by each emperor upon his accession.

Roman Catholic popes, except for John Paul I and II, have traditionally, on their election, adopted a single name. The mononymous tradition reverted to form with the election and succession of Popes Benedict XVI and Francis.

In modern times[edit]
Countries where mononyms are normal[edit]
The western style of having both a family name (surname) and a given name (Christian name or forename) is far from universal.

Surnames were introduced in Turkey only after World War I. Common people are normally addressed by their first name only (plus Mr/Mrs), famous personalities like singers and actors by first and family name, and politicians by their surnames only (Ecevit, Demirel).
Mononyms are also common in Indonesia, notably for Javanese names, both for prominent government figures such as former presidents Sukarno and Suharto as well as for commoners such as Triyatno.
Most Icelanders do not have surnames, only patronymics (or sometimes matronymics), but they usually address each other using only their given name even in formal situations.
In Asia[edit]

Akihito, Emperor of Japan
In modern times, in countries that have long been part of the Chinese cultural sphere (Japan, Korea, Vietnam and China itself), mononyms are rare. A notable exception pertains to the Emperor of Japan(Common opinion, a reason is there is no state to give the Family name(苗字) for the Emperor). Mononyms are, however, common as stage names in the Japanese entertainment industry, usually when the performer's legal name is not publicly known; e.g., Ayaka, Becky, Gackt, hide, Hyde, Mana, Miyavi, Tsunku, and Yui. Also, Japanese baseball superstar Ichiro Suzuki is widely known in both Japan and North America simply as "Ichiro".

In Hong Kong, a few musicians are also known by mononyms, e.g., Janice,[12] Jin, and Justin Lo (who uses the Chinese mononym, "側田"). In Korea, singers such as BoA, Rain, Zelo, Shoo and Psy are known by their mononyms.

Mononyms continue to be used in parts of India, especially the South. Mayawati, former Chief Minister of Uttar Pradesh, chooses to use only a single name. Several Indian film personalities, such as Pran, Sridevi, Rekha, Kajol, Dharmendra, and Rajnikanth, are also known only by their mononyms. Surnames are common in northern India, but less so in the south. In the southern State of Tamil Nadu, for instance, social-reform movements resulted in people discarding surnames which are synonymous with caste names.


U Thant
Mononyms are also common in Indonesia, especially in Javanese names. In some cases, such as those of former Presidents Sukarno and Suharto, the mononym is the full legal name, as often among Javanese people of common birth. Other mononyms, such as Rossa, Chrisye and Tohpati, are stage names taken from a nickname or are part of the full name.

Single names still also occur in Tibet[13] and Mongolia.[citation needed] Most Afghans have no surname.[14]

In Thailand, people usually address each other in informal situations by nicknames (chue-len or Thai: ชึ่อเล่น). Given by parents or relatives in early childhood, these nicknames are typically one syllable (or worn down from two syllables to one). They may often be nonsense words or humorous, and usually have no relation to the person's actual name, although in some cases may be diminutive forms of their first name, like "Nok" for "Noknoi" which means respectively bird and little bird, the first used as nickname and the second being the first name. All Thais have such a name, even the royal family, and they are freely used in everyday life.[citation needed]

U Thant, a Burmese diplomat, was the third Secretary-General of the United Nations (1961–71). "U" is an honorific in Burmese, roughly equal to "Mr". "Thant" was his only name, per Burmese convention. In Burmese, he was known as Pantanaw U Thant, in reference to his hometown, Pantanaw.

Surnames were introduced in Turkey after World War I, as part of his westernizing and modernizing program, by that country's first president, Mustafa Kemal Atatürk.[15] His own surname, Atatürk, which was bestowed by the Turkish parliament, means "Father Turk."

In the West[edit]

Sting
In the West, mononymity, as well as its use by royals in conjunction with titles, has been primarily a privilege of famous persons such as prominent writers, artists, entertainers, musicians and sportsmen.[16][17]

Some persons, such as the artist Christo, the sculptor Chryssa, and the singer-songwriter Basia, have had polynymous names that were unwieldy, or unfamiliar and difficult to remember or to pronounce in the community in which they were currently active, but have not wanted to entirely change their names to something more familiar to the broad public at the cost of abandoning their sense of self-identification, and so have used only a single part of their full names.

The case of the Icelandic musician Björk is similar, but her use of a single name also has roots in her native culture. Like most Icelanders, she has no family name; the second part of her full name is a patronymic. Icelanders generally address one another solely by given names even in formal settings.

Some mononym stage names are merely the performer's given name (e.g. Beyoncé, Madonna, Prince, Cher, Donovan), while others may be the performer's middle name (e.g. Rihanna), or surname (e.g. Liberace, Mantovani, Morrissey, Nilsson). Some mononym stage names are invented (e.g. Cantinflas, Xzibit), adopted words (e.g. Capucine, French for "nasturtium") or nicknames (e.g. Sting, Bono, Moby). The names of Chilean musicians Nicole, Gepe, Chinoy and Puerto Rican singer Chayanne are also invented stage names.

In Lusophone countries such as Portugal, Cape Verde and especially Brazil, football players often adopt a mononym (e.g. Pelé, Nani, Ronaldo, Eusébio, Marta). In Spain, mononyms for football players are also very common; they include nicknames (Michel, Arteaga, Arzu), derivations of the player's surname (Coro, Guti), diminutives (Juanito, Pichi), or the player's first names (Xavi, Sergi, Raúl). Because there are a few very common surnames in Spain (García, Pérez, López, Hernández), the use of mononyms makes it easier to distinguish between the many Garcías and Pérezes on each team. Mononyms are occasionally used by players from other countries, for example the Venezuelan Miku, the Ivorian Gervinho and the Serbian-born American Preki. Mononyms can be seen in other sports in these countries, with notable examples including Brazilian basketball players Hortência and Nenê.

The former president of Brazil, Luiz Inácio Lula da Silva, is known simply as "Lula", a nickname he officially added to his full name. Such mononyms, which take their origin in given names, surnames or nicknames, are used because Portuguese names tend to be rather long.

Professional basketball players are commonly referred to by their first names, e.g., LeBron, Shaq, Magic, and Kobe. Michael Jordan is commonly referred to by his last name.

The comedian and illusionist Teller, the silent half of the duo Penn & Teller, has legally changed his original polynym, Raymond Joseph Teller, to the mononym "Teller" and possesses a United States passport issued in that single name.[18][19]

The professional wrestler Warrior (born James Hellwig) legally changed his name to the mononym "Warrior" in an effort to boost his standing in a trademark dispute with his then-employer, the World Wrestling Federation. His children now use the Warrior name (as opposed to Hellwig) as their surname.

Some have selected their mononym themselves, when they have been able to do so, because of its distinctiveness. Others have come to be known by a mononym that has been applied to them by some segment of the public. The public has referred to President George W. Bush by the mononym W ("Dubya"'), in distinction to his father President George H.W. Bush. Both mechanisms contributed in the case of Hillary Rodham Clinton, who has been called, and has publicly called herself, simply "Hillary". Peter Funt, of Candid Camera, wrote in a February 21, 2007 New York Times op-ed piece, "The Mononym Platform": "Someone has apparently decided that Mrs. Clinton will be the first major single-name candidate since 1952, when Ike's P.R. gurus realized that 'Eisenhower' was tough to fit on a bumper sticker... In an apparent attempt to model her marketing on the likes of Madonna, Beyoncé and Cher, Mrs. Clinton's site proclaimed: 'Today, Hillary took the first step...'..."[20] In an interview with Hillary Clinton published in Salon.com, the interviewer acknowledged receiving reader accusations of sexism whenever he referred to Clinton in print as "Hillary" (in contrast with male candidates who were almost always referred to by their last names), although he stated it was primarily to avoid confusion with her husband Bill Clinton.[21]

Oprah Winfrey, famed American talk show host, is usually referred to by only her first name, Oprah. In Canada, Senator Nancy Ruth had previously dropped her family name of Jackman, using both of her remaining names together as a mononym[dubious – discuss] instead of using "Ruth" as a family name.[relevant? – discuss][22] She is alphabetized under "N," not "R", on the Senate website.[23]

Gallery[edit]


Kalpana Malayalam Actress  Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Kalpana Malayalam Actress  Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Kalpana Malayalam Actress  Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Kalpana Malayalam Actress  Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Kalpana Malayalam Actress  Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Kalpana Malayalam Actress  Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Kalpana Malayalam Actress  Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Kalpana Malayalam Actress  Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Kalpana Malayalam Actress  Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Kalpana Malayalam Actress  Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati



Kalpana Malayalam Actress  Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati




Sunitha Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati

Sunitha Malayalam Actress, Biography

Source:- Google.com.pk

he entered into film industry through the movie Kodai Mazhai is a 1986 Tamil movie Directed by Muktha S. Sundar, Music by Ilayaraja Starring Rajanikanth, Prasad, Lakshmi and 1990 Varavu Nalla Uravu the family movie Director Visu Tamil Nadu State Award for best Story Writer and Nenja Thottu Sollu the Tamil movie a female oriented story based on a character called (Pongona) Directed by T.N. Kanna.

The Malayalam movies Nirabhedangal Director Sajan Starring Prathap Pothen, Ambika, Geetha and Kanikanum Neram Director Rajasenan Starring Ratheesh, Saritha in 1987. Her popular movies include, Mrugaya is a Malayalam action drama film written by AK Lohithadas and directed by IV Sasi and Appu directed by Dennis Joseph and written by Sreekumaran Thampi starring Mohanlal, K.R. Vijaya and Gajakesariyogam Directed by P.G. Viswambharan Starring Mukesh, Innocent and Neelagiri directed by I. V. Sasi and written by Ranjith and Georgootty C/O Georgootty the film was produced under the banner of Chandragiri Productions. It was Haridas' directorial debut. Haridas got the State Award for Best New face Director for this film Starring Jayaram, Thilakan and Mimics Parade and Kasargod Khader Bhai comedy film directed by Thulasidas and starring Siddique, Jagadeesh and Pookkalam Varavayi directed by Kamal Written by Ranjith & Nathan starring Jayaram, Shamili and Savidham Directed by George Kithu starring Nedumudi Venu, Santhi Krishna and Snehasagaram directed by Sathyan Anthikkad starring Murali, Manoj K Jayan and Mukha Chithram directed by Suresh Unnithan and Samooham directed by Sathyan Anthikad with Suhasini Manirathnam and Suresh Gopi and Vatsalyam directed by Cochin Haneefa and written by Lohithadas Starring Mammootty, Geetha and Nandini Oppol Directed by Mohan Kuplari starring Geetha, Nedumudi Venu and Sowbhagyam Directed by Sandhya Mohan and Pradakshinam directed by Pradeep Chockli starring Manoj K Jayan, Balachandran Chullikkadu and Kaliveedu movie family drama film that explores the marital relationship directed by Sibi Malayil starring Jayaram, Manju Warrier.

She entered into Kannada film industry through the movie in 1990 Anukulakobba Ganda Movie Directed by M.S.Rajashekar Starring Raghavendra Rajkumar and Aralida hoovugalu Directed by Chi Dattharaj Starring Shivarajkumar, Srinath and Puksatte Ganda Hotte Tumba Unda a typical drama movie Directed by Raj Kishore Starring Ambareesh and Roll Call Ramakrishna Directed by B Rama Murthy, produced by S R Raajeshwari, music by Upendra Kumar and starring Ananth Nag, Devraj.

She has paired with leading Indian actors such as Mammooty, Mohanlal, Jayaram, Suresh Gopi, Ambareesh, Anant Nag, Shivaraj Kumar, Raghavendra Rajkumar and so many others.

As a dancer[edit]
Sunitha, alternatively known as Kodai Mazhai Vidya and Vidyasree, is a well known Indian classical dancer. She is trained in Bharatanatyam style of dancing. She began dancing at the age of 3 and did her arangetram at the age of 11. She has had the privilege of experiencing the old tradition of 'Gurukul'. She received her training in the Vazhuvoor style of Bharatanatyam from Padmashree Vazhuvoor Ramaiyya Pillai and his son Kalaimamani Vazhuvoor R.Samaraj. To date she has given more than 200 dance recitals all over the world. She has performed dances in many stage shows, all over the world with Amitabh Bachchan, Mamooty, Mohanlal, Vineeth etc.

Sunitha owns and serves as artistic director at the Nrithyanjali School of Dance, based in United States.[1] She has enriched the cultural life of the North Carolina by dedicating herself to teaching and performing classical dance over the past ten years.

Personal life[edit]
She is born to Venugopal Shivaramakrishnan and Bhuvana at Andhra Pradesh. She is married to Raj and has a son, Shashank. She currently resides at North Carolina, United States with family.[2]

Tamil /ˈtæmɪl/ (தமிழ், tamiḻ, [t̪ɐmɨɻ] ?) also spelt Tamizh is a Dravidian language spoken predominantly by Tamil people of Tamil Nadu and Sri Lanka. It has official status in the Indian states of Tamil Nadu, Puducherry and Andaman and Nicobar Islands. Tamil is also an official and national language of Sri Lanka[10] and one of the official languages of Singapore.[11] It is legalised as one of the languages of medium of education in Malaysia along with English, Malay and Mandarin.[12][13] It is also chiefly spoken in the states of Kerala, Puducherry and Andaman and Nicobar Islands as a secondary language and by minorities in Karnataka and Andhra Pradesh. It is one of the 22 scheduled languages of India and was the first Indian language to be declared a classical language by the Government of India in 2004. Tamil is also spoken by significant minorities in Malaysia, England, Mauritius, Canada,[14] South Africa,[15] Fiji,[16] Germany,[17] Philippines, United States, Netherlands, Indonesia,[18] Réunion and France as well as emigrant communities around the world.

Tamil is one of the longest surviving classical languages in the world.[19][20] 2,200-year-old Tamil-Brahmi inscriptions have been found on Samanamalai It has been described as "the only language of contemporary India which is recognizably continuous with a classical past."[21] The variety and quality of classical Tamil literature has led to it being described as "one of the great classical traditions and literatures of the world".[22] Tamil literature has existed for over 2000 years.[23] The earliest period of Tamil literature, Sangam literature, is dated from ca. 300 BC – AD 300.[24][25] It has the oldest extant literature amongst other Dravidian languages.[19] The earliest epigraphic records found on rock edicts and hero stones date from around the 3rd century BC.[26][27] More than 55% of the epigraphical inscriptions (about 55,000) found by the Archaeological Survey of India are in the Tamil language.[28] Tamil language inscriptions written in Brahmi script have been discovered in Sri Lanka, and on trade goods in Thailand and Egypt.[29][30] The two earliest manuscripts from India,[31][32] acknowledged and registered by UNESCO Memory of the World register in 1997 and 2005, were in Tamil.[33]

In 1578, Portuguese Christian Missionaries published a Tamil prayer book in old Tamil script named 'Thambiraan Vanakkam', thus making Tamil the first Indian language to be printed and published.[34] Tamil Lexicon, published by the University of Madras, is the first among the dictionaries published in any Indian language.[35] Tamil is used as a sacred language of Ayyavazhi and in Tamil Hindu traditions of Shaivism and Vaishnavism. According to a 2001 survey, there were 1,863 newspapers published in Tamil, of which 353 were dailies.[36]

Contents  [hide]
1 Classification
2 Origin of Tamil in Hinduism
3 History
3.1 Gold obsession
3.2 Etymology
3.3 Old Tamil
3.4 Middle Tamil
3.5 Modern Tamil
4 Geographic distribution
5 Legal status
6 Dialects
6.1 Region-specific variations
6.1.1 Loanword variations
7 Spoken and literary variants
8 Writing system
9 Phonology
9.1 Vowels
9.2 Consonants
9.3 Āytam
9.4 Numerals and symbols
10 Grammar
10.1 Morphology
10.2 Syntax
11 Vocabulary
12 Influence
13 See also
14 Footnotes
15 References
16 Further reading
17 External links
Classification[edit]
Main article: Dravidian languages
Tamil belongs to the southern branch of the Dravidian languages, a family of around 26 languages native to the Indian subcontinent.[37] It is also classified as being part of a Tamil language family, which alongside Tamil proper, also includes the languages of about 35 ethno-linguistic groups[38] such as the Irula and Yerukula languages (see SIL Ethnologue).

The closest major relative of Tamil is Malayalam; the two began diverging around the 9th century CE.[39] Although many of the differences between Tamil and Malayalam demonstrate a pre-historic split of the western dialect,[40] the process of separation into a distinct language, Malayalam, was not completed until sometime in the 13th or 14th century.[41]

Origin of Tamil in Hinduism[edit]
According to Hindu legend, Tamil, or in personification form Tamil Tāy (Mother Tamil), was created by Shiva. The Tamil god Murugan and the sage Agastya brought it to people.[42]

History[edit]

Silver coin of king Vashishtiputra Sātakarni (c. AD 160).
Obv: Bust of king. Prakrit legend in the Brahmi script: "Siri Satakanisa Rano ... Vasithiputasa": "King Vasishtiputra Sri Satakarni"
Rev: Ujjain/Sātavāhana symbol left. Crescented six-arch chaitya hill right. River below. Early Tamil legend in the Tamil Brahmi script: "Arah(s)anaku Vah(s)itti makanaku Tiru H(S)atakani ko" – which means "The ruler, Vasitti's son, Highness Satakani" – -ko being the royal name suffix.[43][44][45][46]
According to linguists like Bhadriraju Krishnamurti, Tamil, as a Dravidian language, descends from Proto-Dravidian, a Proto-language. Linguistic reconstruction suggests that Proto-Dravidian was spoken around the third millennium BC, possibly in the region around the lower Godavari river basin in peninsular India. The material evidence suggests that the speakers of Proto-Dravidian were of the culture associated with the Neolithic complexes of South India.[47] The next phase in the reconstructed proto-history of Tamil is Proto-South Dravidian. The linguistic evidence suggests that Proto-South Dravidian was spoken around the middle of the second millennium BC, and that proto-Tamil emerged around the 3rd century BC. The earliest epigraphic attestations of Tamil are generally taken to have been written shortly thereafter.[48] Among Indian languages, Tamil has the most ancient non-Sanskritised Indian literature.[49] Scholars categorise the attested history of the language into three periods, Old Tamil (300 BC – AD 700), Middle Tamil (700–1600) and Modern Tamil (1600–present).[50] During a recent excavation at Quseir-al-Qadim, Egyptian pottery dating back to first century BC were discovered with ancient Tamil Brahmi inscriptions.[29]

Indians today might like to stereotype Gujaratis as the nation's most mercantile community, but at one point around 2,000 years ago, Tamil was the lingua franca of traders across the South East Asian seas.

“You get a sense of the role of early and medieval merchant guilds in the Deccan and Tamil Nadu and Kerala,” Guy said in a conversation with Scroll.in. “You know how common they are in India, but then you find their inscriptions in places like Sumatra and Thailand. It is astonishing how they got around. They were busy boys, travelling far and wide.” research started with a highly acclaimed exhibition curated last year at the Metropolitan Museum of Art in New York. “Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, 5th to 8th Century” had 160 sculptures, gathered for the first time in such numbers, from museums and collections across India, Cambodia, Indonesia, Thailand and Vietnam.[51]

Gold obsession[edit]
Around the first millennium, Tamil traders dominated the seas, inscriptions suggest, though they would later give way to Bengalis and Gujaratis from India and Arabic would eventually become the language of the region's merchants.Gold was more or less what Tamil merchants wanted at that time. Inscriptions suggest that the traders of South India were hoarders of precious metals, even as they paid their debts with textiles such as painted cotton kalamkaris and iron.“India retains the biggest private stores of gold in the world, and mostly in female hands,”. “It is true now and it always has been true.”India was notorious for demanding to settle its foreign debts in precious metals and owed everyone for their trade. Even the Romans were upset at having to buy muslins with precious metals.Making sure they always had the better deal, in South East Asia, Indian traders imported spices such as cloves and nutmeg in return for kalamkaris, painted cottons.[51]

Etymology[edit]

SageAgastya,Chairman of first Tamil Sangam,Thenmadurai,Pandiya Kingdom
The earliest extant Tamil literary works and their commentaries celebrates the Pandiyan Kings for the organization of long-termed Tamil Sangams, which researched, developed and made amendments in Tamil language. Even though the name of the language which was developed by these Tamil Sangams is mentioned as Tamil, the exact period when the name "Tamil" came to be applied to the language is unclear, as is the precise etymology of the name. The earliest attested use of the name is found in Tholkappiyam, which is dated as early as 1st century BC.[52] Southworth suggests that the name comes from tam-miḻ > tam-iḻ 'self-speak', or 'one's own speech'.[53](see Southworth's derivation of Sanskrit term for "others" or Mleccha) Kamil Zvelebil suggests an etymology of tam-iḻ, with tam meaning "self" or "one's self", and "-iḻ" having the connotation of "unfolding sound". Alternatively, he suggests a derivation of tamiḻ < tam-iḻ < *tav-iḻ < *tak-iḻ, meaning in origin "the proper process (of speaking)".[54]

The Tamil Lexicon of University of Madras defines the word 'Tamil' as 'sweetness'.[55] S.V Subramanian suggests the meaning 'sweet sound' from 'tam'- sweet and 'il'- 'sound'.[56]

Old Tamil[edit]

Mangulam Tamil Brahmi inscription at Dakshin Chithra, Chennai
The earliest records in Old Tamil are short inscriptions from around the 2nd century BC in caves and on pottery. These inscriptions are written in a variant of the Brahmi script called Tamil Brahmi.[57] The earliest long text in Old Tamil is the Tolkāppiyam, an early work on Tamil grammar and poetics, whose oldest layers could be as old as the 1st century BC.[50] A large number of literary works in Old Tamil have also survived. These include a corpus of 2,381 poems collectively known as Sangam literature. These poems are usually dated to between the 1st and 5th centuries AD,[50][58] which makes them the oldest extant body of secular literature in India.[59] Other literary works in Old Tamil include Thirukural, Silappatikaram and Maṇimēkalai, and a number of ethical and didactic texts, written between the 5th and 8th centuries.[50]

Old Tamil preserved many features of Proto-Dravidian, including the inventory of consonants,[60] the syllable structure,[61] and various grammatical features.[62] Amongst these was the absence of a distinct present tense – like Proto-Dravidian, Old Tamil only had two tenses, the past and the "non-past". Old Tamil verbs also had a distinct negative conjugation (e.g. kāṇēṉ (காணேன்) "I do not see", kāṇōm (காணோம் "we do not see")[63] Nouns could take pronominal suffixes like verbs to express ideas: e.g. peṇṭirēm (பெண்டிரேம்) "we are women" formed from peṇṭir (பெண்டிர்) "women" and the first person plural marker -ēm (ஏம்).[64]

Despite the significant amount of grammatical and syntactical change between Old, Middle and Modern Tamil, Tamil demonstrates grammatical continuity across these stages: many characteristics of the later stages of the language have their roots in features of Old Tamil.[50]

Middle Tamil[edit]

Tanjavur Tamil Inscription
The evolution of Old Tamil into Middle Tamil, which is generally taken to have been completed by the 8th century,[50] was characterised by a number of phonological and grammatical changes. In phonological terms, the most important shifts were the virtual disappearance of the aytam (ஃ), an old phoneme,[65] the coalescence of the alveolar and dental nasals,[66] and the transformation of the alveolar plosive into a rhotic.[67] In grammar, the most important change was the emergence of the present tense. The present tense evolved out of the verb kil (கில்), meaning "to be possible" or "to befall". In Old Tamil, this verb was used as an aspect marker to indicate that an action was micro-durative, non-sustained or non-lasting, usually in combination with a time marker such as ṉ (ன்). In Middle Tamil, this usage evolved into a present tense marker – kiṉṟa (கின்ற) – which combined the old aspect and time markers.[68]

From the period of the Pallava dynasty onwards, a number of Sanskrit loan-words entered Tamil, particularly in relation to political, religious and philosophical concepts.[69] Sanskrit also influenced Tamil grammar, in the increased use of cases and in declined nouns becoming adjuncts of verbs,[70] and phonology. The forms of writing in Tamil have developed through years.[71] The Tamil script also changed in the period of Middle Tamil. Tamil Brahmi and Vaṭṭeḻuttu, into which it evolved, were the main scripts used in Old Tamil inscriptions. From the 8th century onwards, however, the Pallavas began using a new script, derived from the Pallava Grantha script which was used to write Sanskrit, which eventually replaced Vaṭṭeḻuttu.[72]

Middle Tamil is attested in a large number of inscriptions, and in a significant body of secular and religious literature.[73] These include the religious poems and songs of the Bhakthi poets, such as the Tēvāram verses on Shaivism and Nālāyira Tivya Pirapantam on Vaishnavism,[74] and adaptations of religious legends such as the 12th century Tamil Ramayana composed by Kamban and the story of 63 shaivite devotees known as Periyapurāṇam.[75] Iraiyaṉār Akapporuḷ, an early treatise on love poetics, and Naṉṉūl, a 12th-century grammar that became the standard grammar of literary Tamil, are also from the Middle Tamil period.[76]

Modern Tamil[edit]

Mahatma Gandhi's written wishes in Tamil for the memorial of Subramanya Bharathy in Ettayapuram

English, Chinese, Tamil and Malay languages, in Malaysia
The Nannul remains the standard normative grammar for modern literary Tamil, which therefore continues to be based on Middle Tamil of the 13th century rather than on Modern Tamil.[77] Colloquial spoken Tamil, in contrast, shows a number of changes. The negative conjugation of verbs, for example, has fallen out of use in Modern Tamil[78] – negation is, instead, expressed either morphologically or syntactically.[79] Modern spoken Tamil also shows a number of sound changes, in particular, a tendency to lower high vowels in initial and medial positions,[80] and the disappearance of vowels between plosives and between a plosive and rhotic.[81]

Contact with European languages also affected both written and spoken Tamil. Changes in written Tamil include the use of European-style punctuation and the use of consonant clusters that were not permitted in Middle Tamil. The syntax of written Tamil has also changed, with the introduction of new aspectual auxiliaries and more complex sentence structures, and with the emergence of a more rigid word order that resembles the syntactic argument structure of English.[82] Simultaneously, a strong strain of linguistic purism emerged in the early 20th century, culminating in the Pure Tamil Movement which called for removal of all Sanskritic and other foreign elements from Tamil.[83] It received some support from Dravidian parties.[84] This led to the replacement of a significant number of Sanskrit loanwords by Tamil equivalents, though many others remain.[85]

Geographic distribution[edit]

Distribution of Tamil speakers in South India and Sri Lanka (1961).
Tamil is the first language of the majority of the people residing in Tamil Nadu, Puducherry, in India and Northern Province, Eastern Province, in Sri Lanka. The language is also spoken among small minority groups in other states of India which include Karnataka, Andhra Pradesh, Kerala, Maharashtra and in certain regions of Sri Lanka such as Colombo and the hill country. Tamil or dialects of it were used widely in the state of Kerala as the major language of administration, literature and common usage until the 12th century AD. Tamil was also used widely in inscriptions found in southern Andhra Pradesh districts of Chittoor and Nellore until the 12th century AD.[86] Tamil was also used for inscriptions from the 10th through 14th centuries in southern Karnataka districts such as Kolar, Mysore, Mandya and Bangalore.[87]

There are currently sizeable Tamil-speaking populations descended from colonial-era migrants in Malaysia, Singapore, Philippines, Mauritius, South Africa, Indonesia,[88] Thailand,[89] Burma, and Vietnam. A large community of Tamil speakers exists in Karachi, Pakistan, which includes Tamil-speaking Hindus[90][91] as well as Christians and Muslims – including some Tamil-speaking Muslim refugees from Sri Lanka.[92] Many in Réunion, Guyana, Fiji, Suriname, and Trinidad and Tobago have Tamil origins,[93] but only a small number speak the language. In Reunion where the Tamil language was forbidden to be learnt and used in public space by France it is now being relearnt by students and adults.[94] It is also used by groups of migrants from Sri Lanka and India, Canada (especially Toronto), United States (especially New Jersey and New York City), Australia, many Middle Eastern countries, and some Western European countries.

Legal status[edit]
See also: States of India by Tamil speakers

Emergency and outpatient services – In English, Chinese, and Tamil, located in Canada
Tamil is the official language of the Indian state of Tamil Nadu and one of the 22 languages under schedule 8 of the constitution of India. It is also one of the official languages of the union territory of Puducherry and the Andaman and Nicobar Islands.[95][96] Tamil is also one of the official languages of Singapore. Tamil is one of the official and national language of Sri Lanka, along with Sinhala.[97] It was once given nominal official status in the state of Haryana, purportedly as a rebuff to Punjab, though there was no attested Tamil-speaking population in the state, and was later replaced by Punjabi, in 2010.[98] In Malaysia, 543 primary education government schools are available fully in Tamil medium.[99] The establishments of Tamil medium schools have been currently in process in Myanmar to provide education completely in Tamil language by the Tamils who settled there 200 years ago.[1] Tamil language is taught in Canada and South Africa for the local Tamil minority populations. In Ontario, Canada, the month of January has been declared "Tamil Heritage Month" per legislation.

In addition, with the creation in October 2004 of a legal status for classical languages by the Government of India and following a political campaign supported by several Tamil associations,[100][101] Tamil became the first legally recognised Classical language of India. The recognition was announced by the then President of India, Abdul Kalam, in a joint sitting of both houses of the Indian Parliament on 6 June 2004.[102][103][104]

Dialects[edit]
Region-specific variations[edit]

A danger sign at construction sites in Singapore. Languages used are English, Chinese, Tamil and Malay
The socio-linguistic situation of Tamil is characterised by diglossia: there are two separate registers varying by social status, a high register and a low one.[105][106] Tamil dialects are primarily differentiated from each other by the fact that they have undergone different phonological changes and sound shifts in evolving from Old Tamil. For example, the word for "here"—iṅku in Centamil (the classic variety)—has evolved into iṅkū in the Kongu dialect of Coimbatore, inga in the dialect of Thanjavur, and iṅkai in some dialects of Sri Lanka. Old Tamil's iṅkaṇ (where kaṇ means place) is the source of iṅkane in the dialect of Tirunelveli, Old Tamil iṅkaṭṭu is the source of iṅkuṭṭu in the dialect of Madurai, and iṅkaṭe in various northern dialects. Even now, in the Coimbatore area, it is common to hear "akkaṭṭa" meaning "that place". Although Tamil dialects do not differ significantly in their vocabulary, there are a few exceptions. The dialects spoken in Sri Lanka retain many words and grammatical forms that are not in everyday use in India,[50][107] and use many other words slightly differently.[108] The various Tamil dialects include Central Tamil dialect, Kongu Tamil, Madras Bashai, Madurai Tamil, Nellai Tamil, kumari Tamil in India and Batticaloa Tamil dialect, Jaffna Tamil dialect, Negombo Tamil dialect in Sri Lanka. Sankethi dialect in Karnataka has been heavily influenced by Kannada.

Loanword variations[edit]
See also: Indo-Aryan loanwords in Tamil and Loan words in Sri Lankan Tamil
The dialect of the district of Palakkad in Kerala has a large number of Malayalam loanwords, has been influenced by Malayalam's syntax and also has a distinctive Malayalam accent. Similarly, Tamil spoken in Kanyakumari District has more unique words and phonetic style than Tamil spoken at other parts of Tamil Nadu. The words and phonetics are so different that a person from Kanyakumari district is easily identifiable by their spoken Tamil. Hebbar and Mandyam dialects, spoken by groups of Tamil Vaishnavites who migrated to Karnataka in the 11th century, retain many features of the Vaishnava paribasai, a special form of Tamil developed in the 9th and 10th centuries that reflect Vaishnavite religious and spiritual values.[109] Several castes have their own sociolects which most members of that caste traditionally used regardless of where they come from. It is often possible to identify a person's caste by their speech.[110] Tamil in Sri Lanka incorporates loan words from Portuguese, Dutch, and English.

Spoken and literary variants[edit]
In addition to its various dialects, Tamil exhibits different forms: a classical literary style modelled on the ancient language (sankattamiḻ), a modern literary and formal style (centamiḻ), and a modern colloquial form (koṭuntamiḻ). These styles shade into each other, forming a stylistic continuum. For example, it is possible to write centamiḻ with a vocabulary drawn from caṅkattamiḻ, or to use forms associated with one of the other variants while speaking koṭuntamiḻ.[111]

In modern times, centamiḻ is generally used in formal writing and speech. For instance, it is the language of textbooks, of much of Tamil literature and of public speaking and debate. In recent times, however, koṭuntamiḻ has been making inroads into areas that have traditionally been considered the province of centamiḻ. Most contemporary cinema, theatre and popular entertainment on television and radio, for example, is in koṭuntamiḻ, and many politicians use it to bring themselves closer to their audience. The increasing use of koṭuntamiḻ in modern times has led to the emergence of unofficial ‘standard' spoken dialects. In India, the ‘standard' koṭuntamiḻ, rather than on any one dialect,[112] but has been significantly influenced by the dialects of Thanjavur and Madurai. In Sri Lanka, the standard is based on the dialect of Jaffna.

Writing system[edit]
Main articles: Tamil script and Tamil braille
See also: Vatteluttu, Grantha script and Pallava script

Jambai Tamil Brahmi inscription dated to the early Sangam age
After Tamil Brahmi fell out of use, Tamil was written using a script called the vaṭṭeḻuttu amongst others such as Grantha and Pallava script. The current Tamil script consists of 12 vowels, 18 consonants and one special character, the āytam. The vowels and consonants combine to form 216 compound characters, giving a total of 247 characters (12 + 18 + 1 + (12 x 18)). All consonants have an inherent vowel a, as with other Indic scripts. This inherent vowel is removed by adding a tittle called a puḷḷi, to the consonantal sign. For example, ன is ṉa (with the inherent a) and ன் is ṉ (without a vowel). Many Indic scripts have a similar sign, generically called virama, but the Tamil script is somewhat different in that it nearly always uses a visible puḷḷi to indicate a dead consonant (a consonant without a vowel). In other Indic scripts, it is generally preferred to use a ligature or a half form to write a syllable or a cluster containing a dead consonant, although writing it with a visible virama is also possible. The Tamil script does not differentiate voiced and unvoiced plosives. Instead, plosives are articulated with voice depending on their position in a word, in accordance with the rules of Tamil phonology.

In addition to the standard characters, six characters taken from the Grantha script, which was used in the Tamil region to write Sanskrit, are sometimes used to represent sounds not native to Tamil, that is, words adopted from Sanskrit, Prakrit and other languages. The traditional system prescribed by classical grammars for writing loan-words, which involves respelling them in accordance with Tamil phonology, remains, but is not always consistently applied.[113]

Phonology[edit]
Main article: Tamil phonology
Tamil phonology is characterised by the presence of retroflex consonants and multiple rhotics. Tamil does not distinguish phonologically between voiced and unvoiced consonants; phonetically, voice is assigned depending on a consonant's position in a word.[114] Tamil phonology permits few consonant clusters, which can never be word initial. Native grammarians classify Tamil phonemes into vowels, consonants, and a "secondary character", the āytam.

Vowels[edit]
Tamil has five pure vowel sounds /ɐ/, /e/, /i/, /o/ and /u/. Each vowel has a long and short version. There are two diphthongs, /aːɪ/ and /aːʊ/, and three "shortened" vowels.

Long vowels are about twice as long as short vowels. The diphthongs are usually pronounced about 1.5 times as long as short vowels. Most grammatical texts place them with long vowels.

Short Long
Front Central Back Front Central Back
Close i u

Mid e o

Open ɐ (aːɪ) äː (aːʊ)
ஒள
Consonants[edit]
Tamil consonants are presented as hard, soft and medial in some grammars which roughly corresponds to plosives, approximants and nasals. Unlike most Indian languages, Tamil does not distinguish aspirated and unaspirated consonants. In addition, the voicing of plosives is governed by strict rules in centamiḻ. Plosives are unvoiced if they occur word-initially or doubled. Elsewhere they are voiced, with a few becoming fricatives intervocalically. Nasals and approximants are always voiced.[115]

Tamil is characterised by its use of more than one type of coronal consonants: like many of the other languages of India, it contains a series of retroflex consonants. Notably, the Tamil retroflex series includes the retroflex approximant /ɻ/ (ழ) (example Tamil; often transcribed 'zh'), which is absent in the Indo-Aryan languages. Among the other Dravidian languages, the retroflex approximant also occurs in Malayalam (for example in 'Kozhikode'), disappeared from spoken Kannada around 1000 AD (although the character is still written, and exists in Unicode), and was never present in Telugu. In many dialects of colloquial Tamil, this consonant is seen as disappearing and shifting to the alveolar lateral approximant /l/.[116] Dental and alveolar consonants also historically contrasted with each other, a typically Dravidian trait not found in the neighbouring Indo-Aryan languages. While this distinction can still be seen in the written language, it has been largely lost in colloquial spoken Tamil, and even in literary usage the letters ந (dental) and ன (alveolar) may be seen as allophonic.[117] Likewise, the historical alveolar stop has transformed into a trill consonant in many modern dialects.

A chart of the Tamil consonant phonemes in the International Phonetic Alphabet follows:[107]

Sunitha Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Sunitha Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Sunitha Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Sunitha Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Sunitha Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Sunitha Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Sunitha Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Sunitha Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Sunitha Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Sunitha Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Sunitha Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Thursday, 26 March 2015

Sheela Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati

Sheela Malayalam Actress Biography

Source:- Google.com.pk

Sheela is an Indian film actress best known for her work in Malayalam cinema.[1] She, along with Prem Nazir, holds the Guinness World Record for acting in the largest number of films (107) together as heroine and hero.[2][3] In 2005 she won the National Film Award for Best Actress for her role in the Malayalam film Akale.[4]

Contents  [hide]
1 Personal life
2 Film career
3 Awards
4 Filmography
4.1 Actor
4.1.1 Malayalam
4.1.2 Tamil
4.1.3 Telugu
4.2 Story, Screen Play,and Direction
5 Television
6 References
7 External links
Personal life[edit]
Sheela was born in a Syrian Christian family as eldest among six children to Railway officer Antony and Gracy, on 22 March 1945 at Kanimangalam, Thrissur, Kerala. She has three sisters and two brothers. Since her father was working with Railway department she was brought up in different places like Ooty, Tiruchirappalli, Ernakulam and finally settled at Coimbatore. She had her primary education from St. Francis Anglo-Indian Girls School, Coimbatore, Tamil Nadu.[5]

Sheela was married to Xavier, editor of an English National newspaper, which ended in divorce.[6]Later she married Tamil actor Ravichandran which also ended in divorce. They have a son George (Vishnu), who acts in Tamil and Telugu films and serials. George (Vishnu) is married to Smitha and they have two daughters. George has acted in a Malayalam movie Five Star Hospital.[7]

She penned a Malayalam novel, Pathamathe Cheque. She has also authored a book, titled Kuilinte Kooduand many short stories. She is a painter and also conducted an exhibition of her paintings.

Film career[edit]
She holds, along with Prem Nazir, the Guinness book record for acting in the largest number of films (107) together consecutively. In 2005 she won the National Film Award for Best Actress for her role in the Malayalam film Akale.

She started her career as a theatre artist and acted in many dramas. Sheela made her movie debut in the 1962 Tamil film Paasam. Her first film in Malayalam was Bhagyajathakom. The next two decades saw her essay roles in more than 475 films totally in various languages such as Malayalam, Tamil, Telugu, Kannada, Hindi, and Urdu. Films included Chemmeen, Kallichellamma, Velutha Kathreena and Vazhve Mayam. She has won awards such as Kerala State Film Awards, the Lux award and the Filmfare Lifetime Achievement award.[8] In Kannapanunni she plays the role of a powerful yet humane princess forced to marry a poor woodcutter. In another movie, Kadathanattu Makkam, she plays the role of a princess who is cheated by her sisters in law and false allegations of being in love with a boatman are levelled against her. She and the boatman are both charged with the death sentence. She and Prem Nazir hold the Guinness Book of World Records for acting together consecutively in 107 films. In the 70s and 80s, she directed two films, Yakshaganom and Shikarangal. She wrote the story, script, and screenplay for Shikharangaland Yakshagaanam, which was also remade in Tamil. Besides films, she has directed a tele-film Ninaivukale neengividu in which Jayabharathi acted. She in films including Vishnu Vijayam and Eeta as heroine with kamalahasan. She acted as Akhilandeswary in the 2005 Chandramukhi.

Sheela returned to acting, playing main role in Sathyan Anthikkad's Manassinakkare in 2003. Sheela received the Best Supporting Actress and the Kerala State Film Award for Second best actress in the film Akale.The National Film Award for Best Actress (officially known as the Rajat Kamal Award for the Best Actress) is an honour presented annually at the National Film Awards of India since 1968 to an actress for the best performance in a leading role within the Indian film industry.[1][2] The National Film Awards were called the "State Awards for Films" when established in 1954. The State Awards instituted the "Best Actress" category in 1968 as the "Urvashi Award for the Best Actress";[1][3][4] in 1975, the "Urvashi Award" was renamed as the "Rajat Kamal Award for the Best Actress". Throughout the years, accounting for ties and repeat winners, the Government of India has presented a total of 50 Best Actress awards to 40 different actresses.

Until 1974, winners of the National Film Award received a figurine and certificate; since 1975, they have been awarded with a "Rajat Kamal" (silver lotus), certificate and a cash prize that amounted to INR50,000 (US$790) in 2012.[3] Although the Indian film industry produces films in more than 20 languages and dialects,[5] the actresses whose performances have won awards have worked in ten major languages: Assamese, Bengali, English, Hindi, Kannada, Malayalam, Marathi, Tamil, Telugu and Urdu.

The first recipient was Nargis Dutt from Bollywood, who was honoured at the 15th National Film Award (1968) for her performance in Raat Aur Din.[6] The actress who won the most number of Rajat Kamal awards is Shabana Azmi with five wins,[7] followed by Sharada with three. As of 2012, four actresses—Smita Patil, Archana, Shobana and Tabu—have won the award twice. Sharada, Archana and Shobana are the only three actresses to get the award for performing in two different languages. Sharada was bestowed with the awards for her performances in two Malayalam films: Thulabharam and Swayamvaram in 1970 and 1973 respectively, and in 1979 for the Telugu film Nimajjanam. Archana was first honoured in 1988 for the Tamil film Veedu and was awarded for the second time in 1989 for the Telugu film Daasi. Shobana received her first award for the Malayalam film Manichitrathazhu in 1994, and her second for the English film Mitr, My Friend in 2002. As of 2011, Monisha Unni was the youngest actress to win this honour. She won the award for the Malayalam film Nakhakshathangal in 1987 when she was 16.[8][9] Indrani Haldar and Rituparna Sengupta are the only two actresses to be honoured for the same film. The most recent recipient is Kangana Ranaut, who was honoured at the 62nd National Film Awards ceremony for her performance in the Hindi film Queen.[10]


Sheela Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Sheela Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Sheela Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Sheela Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Sheela Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Sheela Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Sheela Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Sheela Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Sheela Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati


Sheela Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati



Sheela Malayalam Actress Malayalam Actress Hot Navel Photos Without Makup Hot Sexy Hot Photos Hot Saree Rare Navel Arundhati